Rising payments for intangibles
Even though AD8 has a healthy cash balance, close attention must be paid to the amount of payments for intangibles, which is predominantly comprised of capitalisation of development costs. As you can see below, payments for intangibles are growing at a much higher rate compared to cash receipts. Also, it is concerning that payments for intangibles as a percentage of cash receipts is rising.
These trends appear to indicate that the costs required to develop new products are steep but why is this so? Since 2017, AD8 has been committing resources to develop video capabilities in Dante to penetrate the video networking market but it seems like it requires significant time and materials. In the latest FY20 annual report, the auditors reported the capitalisaton of development costs ($10.47M) as a key audit matter[1] and the auditors were required to assess the appropriateness of costs capitalised, which include material costs, overheads and engineers’ hours (internal & external). This makes me wonder whether AD8 is finding it difficult to compete with the bigger players in the video industry, especially since it does not have a competitive advantage in this space. It appears the video industry is much more competitive relative to the audio industry based on comments by Fury13 on a HotCopper thread[2], who appears to work in the industry. My biggest concern is the risk of AD8 channeling its focus away from its core competency in audio to a new market that is dominated by the stalwarts, potentially reducing its competitive advantage in the audio space over the long-term.
In July 2019, AD8 announced the commercial availability of two key Dante video products, however it appeared to not have a significant impact on AD8’s revenue given it only increased by 7%. AD8 recently disclosed that they released the first demo of the Dante video camera and attained 20 initial video and software design wins, so there is still a long way to go before AD8 establishes ground breaking products.
As you can see in the table, I have used PushPay Holdings (PPH) and Xero (XRO) to gauge whether AD8’s intangible costs are reasonable. I note both PPH and XRO operate as a software as a service business, the former providing donor management systems to the faith sector and the latter providing accounting software, which is what AD8 is striving to achieve. Both these businesses still incurred significant intangible costs in absolute terms but they managed to hit an inflection point and the rate of increase in intangible costs declined substantially thereafter. I believe the reason why AD8 has been struggling to contain intangible costs is due to the nature of the business model and industry. As outlined earlier in the business overview section, AD8 offers chips, cards, modules, adapters and software solutions. This is quite an extensive range of solutions available to OEMs, which indicates the wide range of customer needs that AD8 attempt to meet. When you scroll down the list of products on the AD8 website, there are ten different product solutions available for OEMs and four different software solutions. This is a stark contrast to the product offerings of PPH and XRO. PPH offer four different solutions, all of them being software and Xero only sell one product.
Given AD8 is still in the primitive stages of developing quality and superior products in the video market and also attempting to transform existing hardware units into software format in the audio market, I expect intangible costs to continue to rise in the next few years.
Once the rate of increase in intangible payments decreases for two years in a row, I think this is strong indicator of AD8 hitting an inflection point in developing high quality and standardised products.
COVID-19 impact on AD8's customers
COVID-19 will significantly decrease demand for audio equipment manufactured by AD8’s customers due to the headwinds faced by the live music industry as illustrated by the closures of a number of theatres. I believe the live music and performances industry will not be financially sustainable even with COVID-19 measures in place, which is echoed by Charlotte St. Martin, president of the Broadway League, the trade association that represents the Broadway industry, “Broadway will not be able to socially distance. It’s just a physical impossibility—the same with the Metropolitan Opera. Our financial model is so [dependent upon] attendance and revenue. In order to socially distance, we would have to completely break the Broadway model. That would mean lower wages, lower rent at theaters, lower fees from designers and specialists. And that’s going to be coupled, of course, with lower ticket prices and lower attendance, and I don’t think anybody thinks we can do that.”[3]
This potential impact is reinforced by the projected decline in demand and revenue for AD8’s biggest customer and second largest shareholder, Yamaha Corporation.
Yamaha
Yamaha reported the following in their investor briefing for the first quarter of FY2021 on 5 August 2020[4]
· Professional Audio equipment slumped but equipment installation in Japan was robust.
· Yamaha expect stay-at-home demand to grow but professional audio equipment faces headwinds. Yamaha also expected professional audio equipment to decline with no recovery in sight for the live performance market but more music production products are projected to arise.
· Yamaha predicts double digit growth in sales of conference systems.
Notwithstanding, I believe this adverse impact will be short lived and live music will eventually return to normal in 12-18 months. In this regard, I think it’s more likely than not (60% chance) that AD8’s share price will drop consistently over the next 12-18 months due to lower rates of growth, which will present a great opportunity to buy shares at a discount.
[1] Page 71 of the AD8 FY20 annual report
[2] https://hotcopper.com.au/threads/what-is-dante.5464431/
[3] https://www.fastcompany.com/90516669/are-concerts-festivals-and-live-events-ever-coming-back-heres-what-6-experts-say
[4] https://www.yamaha.com/en/ir/presentations/pdf/2021/pres-200804e.pdf